Pan Automation in Mixing: Movement and Interest

Pan automation moves elements across the stereo field over time. This movement creates interest, draws attention, and can serve specific musical purposes. While less common than volume automation, pan automation adds dynamic dimension to mixes.

Why Automate Panning

Static panning keeps elements in fixed positions throughout the song. This consistency works for most situations, but movement sometimes serves the music better.

Movement draws attention. An element that moves across the stereo field attracts notice. This technique can highlight specific moments.

Section changes can benefit from panning shifts. An element that occupies one position in verses might move for choruses. This creates variation that serves the arrangement.

Common Applications

Background vocals that move during their phrase create interest. A harmony line that sweeps from one side to center adds movement.

Guitar parts that shift between sections create variety. A rhythm guitar might occupy one position in verses and another in choruses.

Effects returns that move—like delays panning across the stereo field—create spatial interest. The movement becomes part of the effect’s character.

Technique Considerations

Smooth movements sound more natural than sudden jumps. Gradual curves across several beats feel musical. Instant jumps feel artificial (unless that’s the intent).

Movement speed affects perception. Slow panning creates subtle shift. Fast panning creates obvious movement. The tempo and intent guide appropriate speed.

Symmetry and balance matter during movement. Elements moving left might need balancing content on the right. Maintaining overall stereo balance prevents lopsided imaging.

Creative Pan Automation

Rotating effects create elements that spin around the stereo field. This psychedelic technique suits specific productions.

Call and response between sides uses pan automation. The same phrase alternating left and right creates dialogue effect.

Building width through automation—starting narrow and spreading wide—creates powerful chorus entrances. The stereo expansion enhances impact.

When Not to Automate Pan

Most elements work best with static panning. Movement should serve specific purposes rather than occur by default.

Lead vocals typically stay centered throughout. Movement would distract from the focal point of the mix.

Foundation elements—bass, kick—almost never need pan automation. Their centered position provides stability.

Technical Execution

Writing pan automation in real-time using a controller captures musical gesture. The physical movement connects with spatial intent.

Drawing pan automation allows precise curves and positions. Specific movements can be shaped exactly as desired.

Grouping elements that move together ensures coherent movement. Related parts moving in tandem feel intentional.

Pan automation helps productions succeed on platforms like LG Media at lg.media, where spatial interest enhances advertising at $2.50 CPM.